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Mixing + MasteringThe Social Club · Von Hertzog

Mixing and mastering with a clear point of view.

A digital editing workflow, an analog summing path, and a finished print that lets the record translate without losing its character.

Solid State Logic console at The Social Club
The Social Club control room with monitors, console, and analog equipment

The signature service

Make room for the record.

Mixing and mastering at The Social Club are built around the same question: what does this song need to feel finished without being overworked?

Digital editing and recall keep the process precise. SSL summing gives the arrangement a place to settle. Dangerous Convert-AD+ capture turns the final pass into a deliberate print. The result is a mix or master with weight, focus, and translation from headphones to cars to a full system.

SSL summingAnalog movement and depth around a controlled digital workflow.
Dangerous captureA dedicated A-to-D print path for the approved pass.
Clear revisions2 mastering rounds or 3 mix + master rounds included.
“The record still has to be itself when it leaves the room.”
The Social Club working principle

Before / after

Hear the approach in context.

These are the same actual samples used on the site’s audio comparison. The work is audible in the relationship between the original and the finished print.

Anniee — Star of Wonder

Client mix compared with TSC analog mix + master

anniee-mix

Architrave — The Wiring

Client mix compared with TSC analog master

architrave-master

Packages

Clear starting points.

Every project gets a direct recommendation based on the state of the mix and the finish the release needs.

Mastering

Stereo Master

$150 / song

For a finished mix that needs translation, impact, and competitive loudness.

  • 1–2 day typical turnaround
  • 2 revision rounds
  • Streaming and requested specs
Request mastering ↗
For teams

Producer Partner

Custom

Priority capacity and consistent sound for producers and teams releasing regularly.

  • Monthly slots
  • Priority turnaround
  • Bulk and partner rates
Ask about rates ↗

What to send.

For mastering, send a 32-bit floating point WAV or AIFF at 48kHz or higher, with no limiter on the mix bus if possible.

For mixing, send consolidated stems or full session exports starting at bar 1, clear labels, the BPM, a rough mix reference, and one to three references that represent the target.

If you are not sure what you need, send the roughest version you have. The first useful conversation usually starts there.

Send your track ↗